Why Cameroonian Food Blogging Needs Depth: Five Gaps to Fill
The writer examines five critical gaps in how Cameroonian cuisine is presented online: nutritional knowledge, visual quality, adaptation across diaspora contexts, culinary experimentation, and intentional curation. Using Sylvia Dasi's work as an example, the piece argues that food bloggers can claim genuine niches by moving beyond trend-following to purposeful storytelling.
My last article on Cynthia and Kelly Vola and ‘The Plate of Origin contest in Australia’ brought a lot of positive feedback; a lot more than I imagined. And as I went through the comments, I thought that perhaps I should write a follow-up article on the topic, especially as one or two of the comments I read on the post made such suggestions.
Lucky for me, just a few days after, Sylvia Dasi sent us a message thanking us for the article and for the thoughts we put out about Cameroonian cuisine including the suggestions we made towards adding greater value to it. And as it turns out, Sylvia herself, a Cameroonian living in the USA, is a passionate chef and food blogger. In her own words, she aims to teach the next generation of Cameroonians in the diaspora how to cook their own food, so that they don't lose their identity, culture and origin.
Of course, I went to check out her business social channels.
Sylvia has put a lot of thought and effort into what she does. She has a YouTube page, a Facebook page, and a website where she blogs about Cameroonian cuisine.
Living in a melting pot such as the United States, I want to believe that many conversations with the many people from the very many origins, a lot of the discussions turn around differences in culture. And when we think about culture, there are three prominent things that stand out before everything else; the language, the dressing, and the food.
Looking through Sylvia’s Youtube, out of the 20 videos there, there was one that particularly caught my attention. It was a Sauté Salmon with sweet potato. It was cooked with “cancer fighting ingredients found in many African dishes.”
Having lived with a cancer patient I can remember how difficult it was for them to deal with the dietary restrictions that one has to respect when undergoing chemotherapy. It was interesting thus, to see a fellow Cameroonian help people with knowing what kind of meal can help such a person, and giving facts about the natural chemical composition of the meal.
Because, let’s face it; If you have ever tried to go on a diet, you already know how difficult it is knowing what exactly is in your food. We do not buy our food from the supermarket, like white people, in tin cans that are labelled with dietary information telling us how many calories are packed in one serving. Instead, we go to the market, and we haggle over the prices of fresh food, which we bring home to cook.
This little bit of information pushed me to write this article that explores the many gaps that exist today in Cameroonian cuisine blogging, and how those who are interested in getting into it can exploit these little niche areas and give our cuisine the visibility, knowledge, and the value it ought to have.
NUTRITIONAL ASPECT: As explained already, this is a pretty big problem. We just don’t know what is in our food. Going through a number of YouTube channels that vaguely addressed the issue, I noticed that the few who attempted just rambled off details that they picked from the internet. Many clearly have no real idea what the information even meant. One of the greatest challenges bloggers will have to face, is to reformat this information in a manner that will be easy to be understood and remembered by people reading or watching. Bloggers will have to move away from making such information sound far less scientific and far more practical.
PRESENTATION AND AESTHETICS: Yes, this is a big problem. Social media is becoming a very visual and aesthetic place. As much as we want to give people real value, we also want to make sure that HOW we present it is a major consideration. One of the issues is that today, many people start blogging or vlogging just because they want to catch up to a trend and not because they really have a WHY they are trying to answer. That is why you have many abandoned blogs and YouTube channels.
As much as it's important to start small, try to invest in a good phone camera, learn how to film and hold your hand steady, learn how to use natural light to your advantage, learn how to put your ingredients in a visually-appealing way. There are thousands of food channels out there and if you want to compete, there is a minimum barrier of aesthetics that you need to have. Sylvia Dasi understood that.
DEMOCRATISATION OF OUR FOOD: Now, I was made to understand that our brothers and sisters in the U.S, for lack of waterleaf use some other vegetable to cook their eru. The next point reflects on how this could have come about, but what I want to point out here is how we can see how we can incorporate recipes from other countries into our cuisine. There are so many ingredients and methods of cooking that closely resemble ours. Being able to mix these without losing the essence and the identity of our cuisine, can push other people from different countries to want to try it out, and thus, get a close taste of what cameroonian cuisine looks like. It will be fun to see such a YouTube channel.
EXPERIMENTATION: This is something that we as Cameroonians do not do with our food. I read a comment on YouTube where someone berated the lady cooking about a certain ingredient she put in eru. The person commenting said that Bayangi people cook it a certain way and it should not be cooked otherwise. Well, my mum puts garlic in her eru.
We need to be open to experimentation. We need to push the boundaries of our cuisine and see how we can break away from “standard” methods of cooking.
BETTER CURATION: This is really a follow up on the idea of people getting into food blogging with a WHY in their mind. When you have a real purpose and a drive that is rooted in something strong, you are able to churn out content after content. And while doing so, you learn how to better curate different interesting topics relating to Cameroonian cuisine.
Already, many Cameroonian food bloggers hop on the popular dishes like eru and ndole. I have never seen anyone blog about foods that are eaten in the North of Cameroon. I heard that the leaf of the hibiscus flower is eaten as a soup. Already it is from there that we get folere. How come I have never seen anyone blog about that? There is a huge work of curation that still needs to be done for our cuisine.
STRATEGY AND AUDIENCE COGNIZANCE: This should have been the first point but I prefer to put it last because, perhaps if there is any takeaway I need you to take away (lol) it should be this one. Decide what audience you want to reach and define a strategy your are going to put into place to reach them.
When you are sure about who you specifically want to speak to, and how you are going to reach them, it becomes easier for you to better curate and present the content. As a blogger, you could very well be targeting Moroccans with Cameroonian cuisine. But you need a WHY and you need to know and understand the average Moroccan and you need to have a strategy to reach them.
Now, go out there and make Cameroon proud.
You can follow Sylvia Dasi here at: Kengskitchen On YouTube, you can follow her at: Keng's Kitchen
Wandji Wilfred.
In 2020, as diaspora communities navigated cultural preservation during lockdown and social media accelerated food content as a form of identity work, Cameroonian voices were emerging in global food spaces. This piece speaks to a moment when the diaspora's relationship to home cuisine—its adaptation, documentation, and transmission—was becoming a visible cultural practice worthy of analysis.
The piece refuses both condescension and celebration, instead offering a clear-eyed anatomy of what makes food content matter beyond aesthetics. It remains sharp because it addresses the underlying question: how do marginalized food cultures claim authority and visibility without dilution or exhaustion? The five gaps—nutritional literacy, production quality, adaptation without erasure, creative freedom, and purpose-driven curation—remain structural challenges for creators working across cultures.