Is Technology Killing Our Creativity?
The writer examines whether technological abundance—affordable drones, cameras, laptops—paradoxically weakens creative output, using Cameroonian cinema as a case study. Rather than enabling better art, accessibility to tools has diluted craft, flooded markets with unfinished work, and shifted focus from substance to aesthetic polish.
My imaginary girlfriend spent the weekend with me and for nostalgia's sake we both decided to re-watch "The Sound Of Music." It was a good time for us to take a walk through childhood memories and bond more in our imaginary relationship.
As we watched the opening scene with Maria running through the green hills, I couldn't help but admire the art direction, cinematography and everything else that was put into making that film. I did a quick Google search to check the release date. It was in 1965. 54 years ago. A lifetime so to speak. I began to think about how it must have been difficult, with the technology that they had to do some of the technical work.
Take the opening scene for example; it was shot from a helicopter. And the helicopter had to be far away enough such that the tall grass in which Maria was running through was not ruffled by the wind generated by its blades. Imagine the cost of renting a helicopter and how long it must have taken to get that one single shot.
Today you can do that with a $500 drone, in 4k quality, and at close range.
How is then that with this leap in technology (in both affordability and ubiquity) we are not always capable of producing work of art that is not half as good? Has tech actually sucked our creative juices? I am inclined to believe so.
I am a big film consumer and I have learned not to be patient with films that do not hold certain qualities. I tend to expect a certain standard from a Hollywood movie. I lower my expectation bar a little bit when I watch Cameroonian movies. The reason I do this is that I do not expect them to be as good as American movies. Their industry is at least 150 years ahead of ours. In any case, I personally expect a certain bare minimum.
Just indulge with me while I use our industry to make my point, please.
From a purely technological point of view, I believe we have the tools and a select skill set to be able to do good, and in a certain way, I think we are. It remains perfectible, however. It is usually with the writing and creative direction that I have BIG issues with. The amount of 'deus ex machina' scenarios in our movies is quite troubling; at least for the ones I have been patient enough to watch.
And this is where I point a finger at technology. I'll explain in 3 short points.
1. Blaise Pascal the philosopher wrote that "all of humanity's problems stem from man's inability to sit quietly in a room alone." I believe our problems are worse now. Because even when we want to be quiet, between Whtspp messages, other notifications and our obnoxious desire to show the world how well we are doing in life on social media, it is very difficult. Most of the great inventions of our time, theories, works of art and others were all imagined and conceived when the originators were having a quiet time, meditating, taking a quiet walk perhaps, and/or reflecting deeply. Isaac Newton and the apple is a story we all know about. Today we hardly do that. Our lives move from one distraction to the next, mostly on our phones. Very hardly do we take our an hour of our day to reflect and let our imagination run around. For that reason, an essential part of the creative process is lost to distractions that hamper the final product.
And so when confronted with creating art, we rush the process and take out a vital piece of the foundation itself. Reflection is a burden and such a bore. We do not really try to look at all the edges to give the process a smooth sail. After all, who has time for that? And it shows afterwards on the art itself. There are many holes in the plot and so many things do not seem to make sense. . 2. The ubiquity of technology has led to the dissolving of quality. By ubiquity, I mean that it is now widely available and for cheap, and anybody with the right purse can buy a camera and a laptop, take a few pictures and poof! They are suddenly filmmakers and photographers. Very few actually pick up a book or go online to study the elements of film-making and photography. That is why we have as many production houses today as we have movies. Any Tambe, Arrey or Ebot with some small change to finance a movie now calls himself a producer. Think of the number of bloggers out there that cannot write a single paragraph with correct grammar and punctuation.
The physical piece of tech sometimes become a barrier to understanding the other non-physical & physical components that that is required to make art out of that tool. Someone once said, "a blogger in a Cameroon is an unemployed guy with an internet connection." As cynical as that sounds, it's hard not to reject the contours of that. People often equate having the tools, to being able to do the job.
3. The love for aesthetic. We live in an increasingly plastic world, where, especially online, people have more affinity for what looks good, over what is functional/makes sense. The most attractive Instgm accounts have more following than the ones that will otherwise tell you something more important. Technology sometimes gives us the ability to push the boundaries of aesthetics. Think of photo filters or just simply, 4K image quality. More and more people in the creative industry rely solely on the quality that technology provides and are contented with that. They often do not look at art direction and other elements of art that can complement this visual, like storytelling. It's why you see people complaining under videos on Ytube that the director didn't follow the story…or that they expected more
In its own funny way, that also translates to real life when people spend more time and effort promoting the red carpet event than in thinking how the movies will be sold and distributed after it must have premiered. Tambe, Arrey and Ebot are more contented with the glamour of having blogs call them producers than in the making of the film itself.
But then again…
I could also think of many ways in which technology is helping creativity but I will leave that to you guys to point them out in the comments section if you so wish to.
Antoine de St Exupery said "perfection is achieved not when there is nothing more to add, but when there is nothing left to take away.
I am writing this piece to see how we can take the flaws that technology has put on our creative processes. I think that if we can focus on these we can at the very least begin to go to a point where we can look at art and creative processes via a different-tinted lens. And that will be all to our benefit.
Andiriifa?
Wandji Wilfred
Written in 2019, this reflects a moment when smartphone filmmaking and social media had matured enough to democratize production tools across Africa, yet quality gatekeeping in traditional media remained intact. The piece speaks to a generation navigating the gap between having access to professional equipment and possessing the discipline, training, and reflective space to use it well.
The argument cuts against Silicon Valley's assumption that tools liberation equals creative liberation—a tension especially acute in emerging film industries. Its core claim—that distraction, rushed process, and aesthetic superficiality are the true costs of ubiquity—remains urgent as production tools become even cheaper and attention spans more fractured. The invocation of Pascal's quiet room reads now as prophetic of later discourse on deep work and focus.